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In 2001, Ruby Gloom began as a drawing on a piece of paper by illustrator Martin Hsu and was then spawned into a franchise by the U.S. company Mighty Fine three years later. [2] Ruby Gloom began as a stationery line, and was featured on pencil cases , backpacks , clothing, keychains, and plush toys which were sold through Doeworld, a subsidiary ...
The editor of the Dollar Newspaper printed "The Spectacles" with the comment that "it is one of the best from [Poe's] chaste and able pen and second only to the popular prize production, 'The Gold-Bug.'" [2] Editor John Stephenson Du Solle reprinted the story in his daily newspaper The Spirit of the Times in Philadelphia, saying, "Poe's Story ...
Poe's brother, Mark Z. Danielewski, is a best-selling novelist, and as young children Mark and Poe formed a creative relationship wherein Poe would read and edit the pages her brother wrote. [ 77 ] [ 78 ] In 1997, Poe sent a manuscript of her brother's first novel House of Leaves to Warren Frazier, who was a college friend of hers and who had ...
Poe's decision to call Eureka a "prose poem" goes against some of his own "rules" of poetry which he had laid out in "The Philosophy of Composition" and "The Poetic Principle". In particular, Poe had called the ideal poem short, at most 100 lines, and utilizing the "most poetical topic in the world": the death of a beautiful woman. [22]
Poe's writing reflects his literary theories: he disagreed with didacticism [3] and allegory. [4] Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art. [5] Poe pursued originality in his works, and disliked proverbs. [6]
"The Purloined Letter" is a short story by American author Edgar Allan Poe. It is the third of his three detective stories featuring the fictional C. Auguste Dupin, the other two being "The Murders in the Rue Morgue" and "The Mystery of Marie Rogêt".
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Poe often used teeth as a sign of mortality, as with the lips writhing about the teeth of the mesmerized man in "The Facts in the Case of M. Valdemar" or the obsession with teeth in "Berenice". [ 2 ] "The Cask of Amontillado" represents Poe's attempt at literary revenge on a personal enemy, [ 3 ] and "Hop-Frog" may have had a similar motivation.