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Los Ángeles Azules; Los Dos Carnales; Favorite Regional Mexican Song Favorite Regional Mexican Album Natanael Cano - "Amor Tumbado" Banda Los Sebastianes de Saúl Plata - "En Eso No Quedamos" Banda MS de Sergio Lizárraga Ft. Snoop Dogg - "Que Maldición" Lenin Ramírez Ft. Grupo Firme - "Yo Ya No Vuelvo Contigo (En Vivo)" Los Dos Carnales ...
Confianza (English: trust) is a Latin American form of mutual reciprocity. [1] In the context of interpersonal relationships , its presence indicates that both parties recognize a mutual duty to honor their relationship by extending specially favorable treatment.
"La Foto de los Dos" (transl. "Our Photo") is a song written, produced, and performed by Colombian recording artist Carlos Vives . It was released in October 2013 as the fourth single from his studio album Corazón Profundo .
"Un Pacto Entre los Dos" (Spanish for "A pact between two") is a song by Mexican singer Thalía from her self titled debut solo album. It was released by Melody/Fonovisa as the album's first single and despite the controversy caused by its lyrics, it managed to be successful on the Mexican charts.
Corridos Bélicos, Vol. IV is a studio album by Mexican singer Luis R. Conriquez, released on January 4, 2024, through Kartel Music.It is the fourth album in the singer's series of Corridos Bélicos albums.
Los Cuates de Sinaloa (English: The Homies of Sinaloa) are a Regional Mexican band from La Vainilla, Sinaloa, that are active in the Sierreño genre. Led by cousins Gabriel and Nano Berrelleza, they are currently based in Phoenix, Arizona. [1] [2] In 2006, The band signed to Sony BMG.
He became a vocalist and guitarist for the band Colmillo Norteño, [3] which after ten years of being founded and playing traditional Norteño music, they changed their style to what is now known as Norteño-Banda, a combination between Norteño and Banda music.
"Dos gardenias" is a bolero written in 1945 by Cuban composer and pianist Isolina Carrillo. [2] Widely considered a standard of the Latin music repertoire, the song became a hit for Daniel Santos in 1948, due to his recording with La Sonora Matancera with an arrangement by Pérez Prado .