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The Nashville sound was pioneered by staff at RCA Victor, Columbia Records and Decca Records in Nashville, Tennessee.RCA Victor manager, producer and musician Chet Atkins, and producers Steve Sholes, Owen Bradley and Bob Ferguson, and recording engineer Bill Porter invented the form by replacing elements of the popular honky tonk style (fiddles, steel guitar, nasal lead vocals) with "smooth ...
William Owen Bradley (October 21, 1915 [1] – January 7, 1998) [2] was an American musician, bandleader and record producer who, along with Chet Atkins, Bob Ferguson, Bill Porter, and Don Law, was a chief architect of the 1950s and 60s Nashville sound in country music and rockabilly.
Chester Burton Atkins (June 20, 1924 – June 30, 2001), also known as "Mister Guitar" and "the Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played ...
Popular music, or "classic pop," dominated the charts for the first half of the 1950s.Vocal-driven classic pop replaced Big Band/Swing at the end of World War II, although it often used orchestras to back the vocalists. 1940s style Crooners vied with a new generation of big voiced singers, many drawing on Italian bel canto traditions.
RCA Studio B was a music recording studio in Nashville, Tennessee established in 1957 by Steve Sholes and Chet Atkins for RCA Victor.Originally known simply as the RCA Victor Studio, in 1965 the studio was designated as Studio B after RCA Victor built the newer, larger Studio A in an adjacent building.
The Browns were an American country and folk music vocal trio best known for their 1959 Grammy-nominated hit, "The Three Bells".The group, composed of Jim Ed Brown and his sisters Maxine and Bonnie, had a close, smooth harmony characteristic of the Nashville sound, though their music also combined elements of folk and pop.
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Reeves recorded the song after listening to the original version of it by singer Billy Brown. When Brown's version attracted little attention, Reeves felt free to record his own. It was released to country radio as the B-side of "In a Mansion Stands My Love", which some music executives considered a stronger song.