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[102] In a review of H. D. Traill's analysis of Coleridge in the "English Men of Letters", an anonymous reviewer wrote in the 1885 Westminster Review: "Of 'Kubla Khan,' Mr. Traill writes: 'As to the wild dream-poem 'Kubla Khan,' it is hardly more than a psychological curiosity, and only that perhaps in respect of the completeness of its ...
The "person on business from Porlock" was an unwelcome visitor to Samuel Taylor Coleridge during his composition of the poem "Kubla Khan" in 1797. Coleridge claimed to have perceived the entire course of the poem in a dream (possibly an opium-induced haze), but was interrupted by this visitor who came "on business from Porlock" while in the ...
The Crewe manuscript is the only manuscript copy of Samuel Taylor Coleridge's poem Kubla Khan. [1] It is a holograph manuscript (i.e., written in Coleridge's own hand), from some time between the poem's composition in 1797 and its publication in 1816.
Samuel Taylor Coleridge (/ ˈ k oʊ l ə r ɪ dʒ / KOH-lə-rij; [1]) (21 October 1772 – 25 July 1834) was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth.
Lowes' most famous work is The Road to Xanadu: A Study in the Ways of the Imagination (Houghton Mifflin, 1927), which examines the sources of Coleridge's The Rime of the Ancient Mariner and Kubla Khan. Using Coleridge's notebook and other papers at the Bristol Library, Lowes put together a list of books that the poet read before and during the ...
Kubla Khan: Or, A vision in a dream. A Fragment. "In Xanadu did Kubla Khan" 1798 1816 Recantation: Illustrated in the Story of the Mad Ox "An Ox, long fed with musty hay," 1798 1798, July 30 Hexameters. ('William my teacher,' &c.) "William, my teacher, my friend! dear William and dear Dorothea!" 1799 1851
[38] Some critics have voiced their surprise at Coleridge's inclusion policy, pointing out that "To the River Otter" and "Reflections on Having Left a Place of Retirement" do not appear in the 1796 edition; [37] likewise that the 1803 edition leaves out Kubla Khan, Christabel, This Lime-Tree Bower My Prison, Frost at Midnight, Fears in Solitude ...
Criticism was renewed again in 1815–1816, when Coleridge added marginal notes to the poem that were also written in an archaic style. These notes or glosses, placed next to the text of the poem, ostensibly interpret the verses much like marginal notes found in the Bible. There were many opinions on why Coleridge inserted the gloss. [15]