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Sappho 16 is a fragment of a poem by the archaic Greek lyric poet Sappho. [a] It is from Book I of the Alexandrian edition of Sappho's poetry, and is known from a second-century papyrus discovered at Oxyrhynchus in Egypt at the beginning of the twentieth century.
In his Helen, Euripides again broke with the myths: [25] [33] while Helen, the most beautiful woman in the world, chose to follow Paris to Troy, triggering the Trojan War, the "original sin" [25] of Greek mythology, in the playwright's version, the subject was not only refocused on her, who was the heroine of the play; [34] but she was replaced ...
Before this journey, Paris had been appointed by Zeus to judge the most beautiful goddess; Hera, Athena, or Aphrodite. In order to earn his favour, Aphrodite promised Paris the most beautiful woman in the world. Swayed by Aphrodite's offer, Paris chose her as the most beautiful of the goddesses, earning the wrath of Athena and Hera.
The poem uses Poe's frequent theme of "the death of a beautiful woman," which he considered to be "the most poetical topic in the world."[3] The use of this theme has often been suggested to be autobiographical by Poe critics and biographers, stemming from the repeated loss of women throughout Poe's life, including his mother Eliza Poe and his foster mother Frances Allan. [4]
In referring to Helen, Poe is alluding to Helen of Troy who is considered to be the most beautiful woman who ever lived — according to the goddess Venus in the myth referred to as The Judgement of Paris. Helen of Troy was "the face that launched a thousand ships" such as the "Nicean barks" of the poem.
[a] The poem is also known as phainetai moi (φαίνεταί μοι lit. ' It seems to me ') after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman. Fragment 31 has been the subject of numerous translations and adaptations from ancient times to the present day.
The 23-year-old supermodel was just named "the most beautiful woman in the world," according to a mathematical equation that calculates "the perfect face." The equation "The Golden Ratio of Beauty ...
"La Belle Dame sans Merci" ("The Beautiful Lady without Mercy") is a ballad produced by the English poet John Keats in 1819. The title was derived from the title of a 15th-century poem by Alain Chartier called La Belle Dame sans Mercy. [1] Considered an English classic, the poem is an example of Keats' poetic preoccupation with love and death. [2]