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A brace is used to connect two or more lines of music that are played simultaneously, usually by a single player, generally when using a grand staff. The grand staff is used for piano, harp, organ, and some pitched percussion instruments. [1] The brace is occasionally called an accolade in some old texts and can vary in design and style. Bracket
The grand staff. When music on two staves is joined by a brace, or is intended to be played at once by a single performer (usually a keyboard instrument or harp), a grand staff (American English) or great stave (British English) is created. [dubious – discuss] Typically, the upper staff uses a treble clef and the lower staff has a bass clef.
The term note can refer to a specific musical event, for instance when saying the song "Happy Birthday to You", begins with two notes of identical pitch. Or more generally, the term can refer to a class of identically sounding events, for instance when saying "the song begins with the same note repeated twice".
Staffs bracketed together are called a ‘grand staff’, like these treble- & bass clef (from French: key) staffs, also known as G- & F-clefs, respectively. Note how the clef symbols loop around the lines of G₄ & F₃ of their respective staffs.
Guido of Arezzo (Italian: Guido d'Arezzo; [n 1] c. 991–992 – after 1033) was an Italian music theorist and pedagogue of High medieval music.A Benedictine monk, he is regarded as the inventor—or by some, developer—of the modern staff notation that had a massive influence on the development of Western musical notation and practice.
Name Induction date Notes 142 Tom T. Hall † January 1, 1971 Retired since 1996 but remained a standing member until his death. 143 Jan Howard † March 27, 1971 144 Freddie Hart † October 16, 1971 145 Barbara Mandrell: July 29, 1972 Retired since 1997, but still listed as a standing member. [15] Mandrell made a one-off, non-singing ...
The idea of the Guidonian hand is that each portion of the hand represents a specific note within the hexachord system, which spans nearly three octaves from "Γ ut" (that is, "Gamma ut") (the contraction of which is "Gamut", which can refer to the entire span) to "E la" (in other words, from the G at the bottom of the modern bass clef [broken anchor] to the E at the top of the treble clef ...
Such chromatic notes appear only as ornaments or as preparation for a modulation; once the music has modulated, then the names for the new key are used. The modulation itself is marked by superscript of the old note name preceding its new name; for example, in modulation to the dominant, the new tonic is notated as s d. The music then proceeds ...