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Revelation 3 is the third chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle , [ 1 ] but the precise identity of the author remains a point of academic debate. [ 2 ]
A "new heaven" and "new earth" replace the old heaven and old earth. There is no more suffering or death. (21:1–8) God comes to dwell with humanity in the New Jerusalem. (21:2–8) Description of the New Jerusalem. (21:9–27) The River of Life and the Tree of Life appear for the healing of the nations and peoples. The curse of sin is ended ...
Wax seals were typically placed across the opening of a scroll, [7] so that it was known to be authored by the proper person, when the document was opened in the presence of witnesses. [6] This type of "seal" is frequently used in a figurative sense, in the book of Revelation, [8] and only the Lamb is worthy to break off these seals. [6]
Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under earth: Thou shalt not bow down thyself to them, nor serve them: for I the L ORD thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me; And shewing ...
A new heaven and a new earth with the New Jerusalem (the World to Come) replace the old heaven and earth (Revelation 21:1). This is a reference to Genesis 1:1 and Isaiah 65:17. Many theologians interpret it allegorically as explaining the drastic difference in this world and 'heaven' when Christ has been acknowledged as having returned.
The "three angels' messages" is an interpretation of the messages given by three angels in Revelation 14:6–12.The Seventh-day Adventist church teaches that these messages are given to prepare the world for the second coming of Jesus Christ, and sees them as a central part of its own mission.
Vision of the Apocalypse, also known as The Revelation of John the Evangelist, is a tempera painting by Thomas Bathas. The massive icon is over four hundred years old. Bathas was from the island of Crete. He was a painter active during the second half of the 16th century. He was active in Heraklion, Venice, and Corfu.
In John's revelation the first horseman rides a white horse, carries a bow, and is given a crown as a figure of conquest, [2] [3] perhaps invoking pestilence, or the Antichrist. The second carries a sword and rides a red horse as the creator of (civil) war, conflict, and strife. [4]
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