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Goldfinger ' s script became a template for subsequent Bond films. [39] It was the first of the series showing Bond relying heavily on technology, [ 74 ] as well as the first to show a pre-credits sequence with only a tangential link to the main story [ 24 ] —in this case allowing Bond to get to Miami after a mission.
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Oddjob's hat Goldfinger's henchman, uses a special bowler hat with a metal ring inside the brim as a throwing weapon. The hat is capable of slicing through stone and metal or breaking a person's neck when thrown hard enough, (although it would most likely be capable of severing the neck, and not just breaking it).
The features of the original DB5, as featured in Goldfinger, included an ejection passenger seat, operated by a pushbutton concealed in the shift lever; a metal pop-up shield in the rear; rotating licence plates; an on-demand oil slick; rotating blades concealed in each wheel hub that could be extended to shred an enemy's tyres; and a tracking ...
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John Henry Alvin (November 24, 1948 [1] – February 6, 2008) [2] was an American cinematic artist and painter who illustrated many movie posters. [2] Alvin created posters and key art [1] for more than 135 films, beginning with the poster for Mel Brooks's Blazing Saddles (1974). [2]
File:A Horrible Way to Die (movie poster).jpg; File:A Kid Like Jake.png; File:A Kind of Loving (1962) film poster.jpg; File:A Kind of Murder (film) poster.jpg; File:A Lady Without Passport movie poster.jpg; File:A Ladys Morals.jpg; File:A Landscape of Lies.jpg; File:A Late Quartet Poster.jpg; File:A letter to three wives movie poster.jpg
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