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Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. [ 1 ]p (piano - "soft") never indicates a precise level of loudness; it merely indicates that music ...
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term: the "rudiments" needed to understanding music notation (i.e., key signatures, time signatures, rhythmic notation); scholars' views on music from antiquity to the present; and a sub-topic of musicology that ...
comping (jazz) 1. to comp; action of accompanying. con. With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit.'with calm'); (see also col and colla) con dolcezza. See dolce. con sordina or con sordine (plural) With a mute, or with mutes.
Articulation is a musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay. They can also modify an event's timbre, dynamics, and pitch. [1]
Song structure is the arrangement of a song, [ 1 ] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs. Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues. Popular music songs traditionally use ...
Musical expression is the art of playing or singing with a personal response to the music. [1] At a practical level, this means making appropriate use of dynamics, phrasing, timbre and articulation to bring the music to life. [2] Composers may specify these aspects of expression to a greater or lesser extent in the notation of their musical score.
Indeterminacy is a composing approach in which some aspects of a musical work are left open to chance or to the interpreter's free choice. John Cage, a pioneer of indeterminacy, defined it as "the ability of a piece to be performed in substantially different ways". The earliest significant use of music indeterminacy features is found in many of ...