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Machen's popularity in 1920s America has been noted, and his work was an influence on the development of the pulp horror found in magazines like Weird Tales and on such notable fantasy writers as James Branch Cabell, Clark Ashton Smith, Robert E. Howard, [17] Frank Belknap Long (who wrote a tribute to Machen in verse, "On Reading Arthur Machen ...
"The White People" is a horror short story by Welsh author Arthur Machen. Written in the late 1890s, it was first published in 1904 in Horlick's Magazine, edited by Machen's friend A. E. Waite, then reprinted in Machen's collection The House of Souls (1906).
The Great God Pan is an 1894 horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write The Great God Pan by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the newspaper The Whirlwind in 1890
The Three Impostors; or, The Transmutations is an episodic horror novel by Welsh writer Arthur Machen, first published in 1895 in The Bodley Head's Keynotes Series. It was revived in paperback by Ballantine Books as the forty-eighth volume of the Ballantine Adult Fantasy series in June 1972.
The Green Round is a horror novel by Welsh author Arthur Machen. It was originally published by Ernest Benn Limited in 1933. The first U.S. edition was published by Arkham House in 1968 in an edition of 2,058 copies. It was the only book by Machen to be published by Arkham House.
Pages in category "Works by Arthur Machen" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. G. The Great God Pan;
Campanella Cook emailed the Art Work Sales Agreement listing the collection then. It is far beyond what McCraw ever thought: “Twenty-five (25) paintings in oil, tempera, casein, gouache ...
Lawndale Art Center is a non-profit space for the exhibition of contemporary works of art in all media, based in Houston, Texas, USA, focused on exhibiting work by Houston area artists. Lawndale Art Center was founded in 1979 by artist James Surls in an abandoned 100,000-square-foot (9,300 m 2 ) warehouse as part of the University of Houston ...