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The exhibition poster is based on Hand with Reflecting Sphere, 1935, which shows Escher in his house reflected in a handheld sphere, thus illustrating the artist, his interest in levels of reality in art (e.g., is the hand in the foreground more real than the reflected one?), perspective, and spherical geometry.
Relativity is a lithograph print by the Dutch artist M. C. Escher, first printed in December 1953. The first version of this work was a woodcut made earlier that same year. [1] It depicts a world in which the normal laws of gravity do not apply. The architectural structure seems to be the centre of an idyllic community, with most of its ...
Hand with Reflecting Sphere, also known as Self-Portrait in Spherical Mirror, is a lithograph by Dutch artist M. C. Escher, first printed in January 1935. The piece depicts a hand holding a reflective sphere. In the reflection, most of the room around Escher can be seen, and the hand holding the sphere is revealed to be Escher's. [citation needed]
Three Worlds is a lithograph print by the Dutch artist M. C. Escher first printed in December 1955.. Three Worlds depicts a large pool or lake during the autumn or winter months, the title referring to the three visible perspectives in the picture: the surface of the water on which leaves float, the world above the surface, observable by the water's reflection of a forest, and the world below ...
Snakes is a woodcut print by the Dutch artist M. C. Escher. The work was first printed in July 1969, and was Escher's last print before his death. [1] Snakes depicts a disc made up of interlocking circles that grow progressively smaller towards the center and towards the edge. There are three snakes laced through the edge of the disc.
Waterfall (Dutch: Waterval) is a lithograph by the Dutch artist M. C. Escher, first printed in October 1961.It shows a perpetual motion machine where water from the base of a waterfall appears to run downhill along the water path before reaching the top of the waterfall.
Circle Limit III is a woodcut made in 1959 by Dutch artist M. C. Escher, in which "strings of fish shoot up like rockets from infinitely far away" and then "fall back again whence they came". [1] It is one of a series of four woodcuts by Escher depicting ideas from hyperbolic geometry. Dutch physicist and mathematician Bruno Ernst called it ...
Belvedere is a lithograph print by the Dutch artist M. C. Escher, first printed in May 1958. It shows a plausible-looking belvedere building that is an impossible object , modelled after an impossible cube .
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