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: Marie-Alexandrine de Schietere née De Fraula, Bruges 9 May 1781: sale of the collection of Douariere de Philippe Charles de Schietere Marie-Alexandrine de Fraula at J. Garemyn, Bruges, lot no. 68, for 39-0 francs (as ‘Un très-beau Tableau d'une forme Centrée par le haut, le Panneau d'une seule piece, réprésentant Jesus Christ attaché à la Croix.
Paul of Tarsus referred to Jesus as the "image of the invisible God" (Colossians 1:15). [21] Theologians such as John of Damascus argued that the connection between Jesus' incarnation and the use of images is so strong that to reject or prohibit the use of images is tantamount to denying the Incarnation of Jesus.
Moreover we worship even the image of the precious and life-giving Cross, although made of another tree, not honouring the tree (God forbid) but the image as a symbol of Christ. For He said to His disciples, admonishing them, Then shall appear the sign of the Son of Man in Heaven Matthew 24:30, meaning the Cross.
The image of a crucifix that bled when mocked and struck by Jews also gained popularity during this time. [30] As a broad generalization, the earliest depictions, before about 900, tended to show all three crosses (those of Jesus, the Good Thief and the Bad Thief), but later medieval depictions mostly showed just Jesus and his cross. From the ...
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The Institution of the Eucharist by Nicolas Poussin, 1640. In Christian theology, the term Body of Christ (Latin: Corpus Christi) has two main but separate meanings: it may refer to Jesus Christ's words over the bread at the celebration of the Jewish feast of Passover that "This is my body" in Luke 22:19–20 (see Last Supper), or it may refer to all individuals who are "in Christ" (1 ...
An image of the Angel Moroni blowing a trumpet is often used as an unofficial symbol of the Church of Jesus Christ of Latter-day Saints. Moroni is commonly identified by Latter-day Saints as the angel mentioned in Revelation 14:6 , "having the everlasting gospel to preach unto them that dwell on the earth, and to every nation, and kindred, and ...
Saint Francis Embracing Christ on the Cross or Allegory of Saint Francis' Renunciation of the Material World to Follow Jesus is an oil on canvas painting by Bartolomé Esteban Murillo, created in 1668-1669, now held in the Museum of Fine Arts of Seville.