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Ramsgate Sands, also known as Life at the Seaside, is an oil-on-canvas painting by the English artist William Powell Frith, who worked on it from 1851 to 1854.The painting, which depicts a beach scene in Ramsgate, was Frith's first great commercial success: it was exhibited at the Royal Academy summer exhibition in 1854, and bought by Queen Victoria.
Jane Maria Bowkett (1837–1891) was a British traditional Victorian genre painter who worked primarily in oils. Her work has been described as 'delightful, slightly naive pictures of women and children, either interiors, or often beach scenes'. [1]
John Atkinson Grimshaw (6 September 1836 – 13 October 1893) was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes. [1] [2] He was called a "remarkable and imaginative painter" by the critic and historian Christopher Wood in Victorian Painting (1999).
The painting can be seen as an allegory of time and space, geology and astronomy, family and history, with science meeting Christianity on the beach: Pegwell Bay was reputedly the place where St Augustine landed in 597, on his mission to bring Christianity to the British Isles (and also where Hengist and Horsa arrived in the 5th century).
This is an incomplete list of the oil paintings of J. M. W. Turner (23 April 1775 – 19 December 1851), [1] a master noted for his skill in the portrayal of light, and in the painting of maritime scenes.
Museum of modern art André Malraux - MuMa: A Beach Scene: Musée Bonnat, Bayonne: Bay of Plougastel: Beach at Trouville: Beach Scene: Private collection: Beach Scene: Beach Scene: Beach Scene: Beach Scene: Beach Scene: Beach Scene: Beach Scene at Trouville: Beach Scene at Trouville: Beach Scene at Trouville
Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.
Yale Center for British Art: Coastal Scene with Cliff: 1814 Yale Center for British Art: Lane near Dedham: 1802 Yale Center for British Art: Parham Mill, Gillingham: 1826 Yale Center for British Art: Bardon Hill, Coleorton Hall: 1823 Yale Center for British Art: Hove Beach: 1800s Yale Center for British Art: Study of a Cloudy Sky: 1825 Yale ...
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