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The nuqta, and the phonological distinction it represents, is sometimes ignored in practice; e.g., क़िला qilā being simply spelled as किला kilā.In the text Dialect Accent Features for Establishing Speaker Identity, Manisha Kulshreshtha and Ramkumar Mathur write, "A few sounds, borrowed from the other languages like Persian and Arabic, are written with a dot (bindu or nuqtā).
In 1977, the Board published the first edition of Urdu Lughat, a 22-volume comprehensive dictionary of the Urdu language. [2] The dictionary had 20,000 pages, including 220,000 words. [3] In 2009, Pakistani feminist poet Fahmida Riaz was appointed as the Chief Editor of the Board. [4] In 2010, the Board published one last edition Urdu Lughat. [3]
Tāʼ marbūṭah is also sometimes considered the 40th letter of the Urdu alphabet, though it is rarely used except for in certain loan words from Arabic. Tāʼ marbūṭah is regarded as a form of tā, the Arabic version of Urdu tē, but it is not pronounced as such, and when replaced with an Urdu letter in naturalised loan words it is ...
The number of Urdu speakers in India fell 1.5% between 2001 and 2011 (then 5.08 million Urdu speakers), especially in the most Urdu-speaking states of Uttar Pradesh (c. 8% to 5%) and Bihar (c. 11.5% to 8.5%), even though the number of Muslims in these two states grew in the same period. [128]
Hindustani (sometimes called Hindi–Urdu) is a colloquial language and lingua franca of Pakistan and the Hindi Belt of India. It forms a dialect continuum between its two formal registers: the highly Persianized Urdu, and the de-Persianized, Sanskritized Hindi. [2] Urdu uses a modification of the Persian alphabet, whereas Hindi uses Devanagari ...
Bait Bazi (Urdu: بیت بازی) is a verbal game and a genre of Urdu poetry played by composing verses of Urdu poems. The game is common among Urdu speakers in Pakistan and India. It is similar to Antakshari, the Sistanian Baas-o-Beyt, the Malayalam Aksharaslokam and, more generally, the British Crambo.
Sang-e-Mah (Urdu: سنگِ ماہ, transl. Moonstone) is a Pakistani television series, and second series in the trilogy preceded by Sang-e-Mar Mar.Having central plot line inspired from William Shakespeare's Hamlet, it is written by Mustafa Afridi, directed by Saife Hassan and produced by Momina Duraid under her banner production MD Productions.
Koi Chand Rakh (Urdu: کوئی چاند رکھ, transl. Set The Moon) is a 2018 Pakistani television series that premiered on 19 July 2018 on ARY Digital.The series ended its run on 14 February 2019. [1]