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Playing the dabakan as part of the kulintang ensemble. The dabakan could be used in other types of playing other than the ensemble. The dabakan could be used as the accompaniment for the kutiyapi, a type of Philippine boat-lute. [5] The dabakan plays a major role in a type of playing known as Kasorondayong.
The Maguindanao kulintang ensemble, called basalen or palabunibuniyan is the traditional gong chime ensemble of the Maguindanao.Other forms of the kulintang ensembles are played in parts of Southeast Asia especially in the eastern parts of Maritime Southeast Asia — southern Philippines, eastern Indonesia, eastern Malaysia, Brunei and Timor. [1]
"Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies. Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009).
The origin of the term Darbuka lies in the rural Egyptian Arabic slang word that changed "darb" meaning "to strike" into "darabuka". [6] Goblet drums have been around for thousands of years and were used in Mesopotamian and Ancient Egyptian cultures. They were also seen in Babylonia and Sumer from as early as 1100 BCE.
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
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For the Palawano, it is possible to arrange the beeswax frets into different patterns resulting in two different scales for the instrument. These are the binalig, a higher pitched scale similar to the pelog and accompanying style used to imitate that of the kulintang, and the dinaladay, a lower pentatonic scale used for teaching pieces of an abstract mature.
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