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"Wait till You See Her" (or, optionally, "Wait till You See Him") is a popular song. The music was written by Richard Rodgers, the lyrics by Lorenz Hart. The song was published in 1942. It was introduced in the musical play By Jupiter (1942), where it was performed by Ronald Graham. [1] Since then, the song has been recorded by many artists. [2]
"You for Me" – 2:13 "Now at Last" (Haymes) – 3:20 "I Hear Music" (Burton Lane, Frank Loesser) – 2:05 "Wait Till You See Her" (Rodgers, Hart) – 3:19 "I Won't Dance" (Dorothy Fields, Hammerstein, Otto Harbach, Jerome Kern, Jimmy McHugh) – 2:44 "A Fine Spring Morning" (Haymes) – 3:04; CD reissue bonus tracks not included on the ...
The AllMusic review by Michael G. Nastos awarded the album 3½ stars, stating, "John Abercrombie's longstanding partnership with Mark Feldman has yielded several albums of exquisite music, and Wait Till You See Her is no different. The mood is naturally restrained, contemplative, and introspective as you would expect, while there's a common ...
Duet is a collaborative album by Doris Day and the André Previn trio, with songs arranged by Previn. The album was issued by Columbia Records (8552) in both monaural (catalog number CL-1752) and stereophonic (catalog number CS-8552) versions on February 22, 1962.
Hart then wrote a new lyric, intended to be the title song for Manhattan Melodrama (1934), which was cut again. A third lyric, "The Bad in Every Man," was used in the film. [10] At the urging of Jack Robbins, head of MGM's music publishing unit, Hart wrote a fourth lyric as a standalone song. [11]
"It's Easy to Remember (And So Hard to Forget)" (from Mississippi; 1935)- 3:34 "There's a Small Hotel" (from On Your Toes; 1936 & Pal Joey, 1957) - 2:16 "Wait till You See Her" (from By Jupiter; 1942)- 3:08 "Little Girl Blue" (from Jumbo; 1935)- 2:54 "Bewitched, Bothered and Bewildered" (from Pal Joey; 1940 & Pal Joey; 1957) - 3:39
Here, we break down the meaning behind the song. Taylor Swift released "Speak Now (Taylor's Version)" on July 7, 2023, with the vault track "I Can See You." ... Wait 'til you see half the things ...
He felt "Song #2" ended prematurely while the long-meter arrangement of "Wait till You See Her" sounded unusual, but found "Once upon a Summertime" to be brilliantly recorded and "Summer Night" highlighted by Davis and Feldman's "consistent level of lyrical beauty". [11]