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The song impacted radio on April 3, 2006, although many stations had already begun playing the record in advance of the official impact date. [2] "Perfect Stranger" received much attention, [3] and became a radio hit in America. [4] Speaking of the song's lyrics, Nielsen told Classic Rock Revisited: "It's Linda, Rick and Robin. If you listen to ...
The following is a list of songs that have been the subject of plagiarism disputes. In several of the disputes the artists have stated that the copying of melody or chord progression was unconscious. In some cases the song was sampled or covered. Some cases are still awaiting litigation.
Songwriter Robert Smith said the song "was a short poetic attempt at condensing my impression of the key moments in the 1942 novel L'Étranger (The Stranger) by Albert Camus". [5] The lyrics describe a shooting on a beach, in which the titular Arab is killed by the song's narrator; in Camus' story the protagonist, Meursault, shoots an Arab on a ...
Billy Dukes of Taste of Country declared that "heavy chords add importance to the mellifluous presentation" of the track and it "gives major Brandi Carlile vibes by the end". [4] Melinda Newman from Billboard considered "The Stranger" to be an "ethereal track". [14] The staff of ABC News Radio called it an "emotional power ballad". [15]
The group reportedly auditioned the song for famed record producer Bobby Robinson while he was sick in bed, but he rejected them, stating the song "wasn't commercial enough". [5] When the Chords recorded their debut single for Cat Records, a cover of Patti Page 's " Cross Over the Bridge ", the label reluctantly allowed them to record "Sh-Boom ...
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The song ends with a "suprisingly fitting" hair rock guitar solo. [5] Following its release, Cain stated that "Strangers" was written in "about 10 minutes" and is her favorite song she has written at the time. [7] She also said that it was the second song that she wrote for the record, "without the intention that it would become the ending". [8]
That definitely came through in the song. [2] Music journalist Geoffrey Freakes said that "with the odd exception (the unnecessarily exaggerated drum fill before the chorus), the synthetic rhythms are more discreet and work for, rather than against, the song," resulting in "an atmospheric, radio-friendly song" with a "fresh, contemporary sound."
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