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The Via Labicana statue of Augustus. The Via Labicana statue of Augustus, closeup. The Via Labicana Augustus is a sculpture of the Roman emperor Augustus as Pontifex Maximus, with his head veiled for a sacrifice. [1] [2] [3] The statue is dated as having been made after 12 BCE. It was found on slopes of the Oppian Hill, in the Via Labicana, in 1910
Augustus as pontifex maximus (Via Labicana Augustus) <-The pontifex maximus (Latin for "supreme pontiff" [1] [2] [3]) was the chief high priest of the College of Pontiffs (Collegium Pontificum) in ancient Rome. This was the most important position in the ancient Roman religion, open only to patricians until 254 BC, when a plebeian first held ...
A statue of Augustus as pontifex maximus found at a villa of Livia on this road is known as the "Via Labicana type" and is housed at the National Roman Museum. The Roman Emperor Didius Julianus was buried by the fifth milestone on the Via Labicana, after being executed in 193.
Augustus's public revenue reforms had a great impact on the subsequent success of the Empire. Augustus brought a far greater portion of the Empire's expanded land base under consistent, direct taxation from Rome, instead of exacting varying, intermittent, and somewhat arbitrary tributes from each local province as Augustus's predecessors had done.
Via Labicana Augustus The political evolution of Augustus was promptly reflected in official art, as evidenced by the series of imperial portraits. Typical features of his portraits are the steady eyes, the straight nose, the rather hollowed face, the well-pronounced cheekbones, the thin mouth, and a lock of hair "with a pincer" on the right ...
The Via Flaminia began at the Porta Fontinalis, a gate in the Servian Wall in ancient Rome, on the northern slope of the Capitoline Hill. It followed the Via Lata from the Campidoglio to the Porta Flaminia, a city gate of the Aurelian Walls, and the Piazzale Flaminio. [6] This portion can be considered the urban stretch of the Via Flaminia.
The Palazzo Massimo alle Terme is the main of the four sites of the Roman National Museum, along with the original site of the Baths of Diocletian, which currently houses the epigraphic and protohistoric section, Palazzo Altemps, home to the Renaissance collections of ancient sculpture, and the Crypta Balbi, home to the early medieval collection.
The church is an important place of prayer dedicated to the Virgin Mary. The following inscriptions in praise of the emperors Claudius, Vespasian, and Titus for their work on the aqueducts are prominently displayed on the attic of the Porta Maggiore: TI. CLAUDIUS DRUSI F. CAISAR AUGUSTUS GERMANICUS PONTIF. MAXIM., / TRIBUNICIA POTESTATE XII, COS.