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Landscape with a realistic sky by Albrecht Altdorfer 1528. (Alte Pinakothek.) In Albrecht Altdorfer's The Battle of Alexander at Issus, one of the most famous paintings produced by the Danube School, a composition similar to Vädersolstavlan renders the battle scene in a detailed landscape under a sky crowded with celestial symbols and messages.
A cloudscape painting by Jacob Isaakszoon van Ruisdael. In art, a cloudscape is the depiction of a view of clouds or the sky.Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance (through the application of the technique of aerial perspective).
Sky with Flat White Cloud, also known as Sky above White Clouds I, [29] is an abstract, 1962 painting that was inspired by O'Keeffe's trip to Egypt in the spring of that year. The canvas is horizontal, showing blue and green stripes of color (the sky) at the top, while two-thirds of the portion below (the clouds) is white.
The painting measures 50.4 cm × 101.3 cm (19.8 in × 39.9 in). It depicts a relatively flat and featureless landscape with fields of green wheat, under a foreboding dark blue sky with a few heavy white clouds. The horizon divides the work almost into two, with shades of green and yellow below and shades of blue and white above.
Jacob Isaackszoon van Ruisdael (Dutch pronunciation: [ˈjaːkɔp fɑn ˈrœyzdaːl] ⓘ; c. 1629 – 10 March 1682) was a Dutch painter, draughtsman, and etcher.He is generally considered the pre-eminent landscape painter of the Dutch Golden Age, a period of great wealth and cultural achievement when Dutch painting became highly popular.
The painting was investigated by scientists at the Rochester Institute of Technology and the Museum of Modern Art in New York. [85] The pigment analysis has shown that the sky was painted with ultramarine and cobalt blue, and for the stars and the moon, Van Gogh employed the rare pigment indian yellow together with zinc yellow. [86]
The False Mirror is a surrealist oil on canvas painting by René Magritte, from 1928. It depicts a human eye framing a cloudy, blue sky. [1] [2] [3] In the depiction of the eye in the painting, the clouds take the place normally occupied by the iris. [4] [5] [6] The painting's original French title is Le faux miroir. [7]
The piece depicts a scene of red-roofed buildings and a mostly blue partly cloudy sky, with the air filled by dozens of nearly identical men dressed in dark overcoats and bowler hats, generally facing the viewer. The men are positioned as if standing, and may be falling, rising, or stationary in mid-air; no movement or motion is implied.
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