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  2. One Morning in May (folk song) - Wikipedia

    en.wikipedia.org/wiki/One_Morning_in_May_(folk_song)

    Lyrics appeared in 1927 in The American Songbag by Carl Sandburg, [12] having come through Gilbert Raynolds Combs. [ 12 ] [ 13 ] Those lyrics are used by Bill Keith and Jim Rooney , [ citation needed ] by James Taylor on his 1972 album One Man Dog , and by The Country Gentlemen on their eponymous 1973 album .

  3. ChordPro - Wikipedia

    en.wikipedia.org/wiki/ChordPro

    The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...

  4. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:

  5. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  6. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...

  7. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    A chord is inverted when the bass note is not the root note. Additional chords can be generated with drop-2 (or drop-3) voicing, which are discussed for standard tuning's implementation of dominant seventh chords (below). Johnny Marr is known for providing harmony by playing arpeggiated chords.

  8. I'm a Man You Don't Meet Every Day - Wikipedia

    en.wikipedia.org/wiki/I'm_a_Man_You_Don't_Meet...

    "I'm a Man You Don't Meet Every Day" is a traditional Scottish or Irish music hall song [1] written from the point of view of a rich landowner telling the story of his day while buying drinks at a public house.

  9. Rhythm changes - Wikipedia

    en.wikipedia.org/wiki/Rhythm_changes

    The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...