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A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
English: Sound demo of a fuzz face clone pedal into distortion (Blackstar HT Dual, 2nd channel). Volume of the fuzz is maxed to push the gain of the tube distortion. I start playing on the humbucker (Yamaha Pacifica 112) with the volume on 4 (the fuzz cleans up), then I crank it to 10 and the fuzz blooms.
English: Sound demo of a silicon Fuzz Face clone (Mojo Gear Deluxe BC 108) into a tube distortion (HT Dual channel 2) into an ampeg octaver simulation and clean Fender amp simulation (Amplitube 4). Guitar is a Yamaha Pacifica 112, nek pickup.
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
"Peach fuzz refers to those little baby hairs that glisten in the light, claiming real estate on your face, upper lip, cheek, and chin," says Delcy Stoddard, medical aesthetician at SkinSpirit ...
The origins of the Pro Co "The RAT" can be traced back to the mid-1970s, when Pro Co engineers, Scott Burnham and Steve Kiraly repaired and hot-rodded existing distortion pedals, such as the Dallas Arbiter Fuzz Face. Burnham decided he could build a superior product from the ground up, and designed what would become "The RAT" pedal.
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