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A quintain or pentastich is any poetic form containing five lines. Examples include the tanka , the cinquain , the quintilla , Shakespeare's Sonnet 99 , and the limerick . Examples
Ordinarily, the first line is a one-word title, the subject of the poem; the second line is a pair of adjectives describing that title; the third line is a three-word phrase that gives more information about the subject (often a list of three gerunds); the fourth line consists of four words describing feelings related to that subject; and the ...
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese.Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the Classic of Poetry, dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE.
However, the style differs from other five-line forms, such as tanka and gogyohka, by the titling of its poems. [3] Mariko Sumikura used gogyoshi as an English word for the first time in 2009. [ 4 ] In 2018, Tarō Aizu proposed World Gogyoshi, [ 5 ] [ 6 ] which is written in two languages, English and each mother tongue, and he has been ...
An illustration of the fable of Hercules and the Wagoner by Walter Crane in the limerick collection "Baby's Own Aesop" (1887). The standard form of a limerick is a stanza of five lines, with the first, second and fifth rhyming with one another and having three feet of three syllables each; and the shorter third and fourth lines also rhyming with each other, but having only two feet of three ...
1, 2, 5, 15, 52, 203, 877, 4140, 21147, 115975, .. (sequence A000110 in the OEIS). Examples: We find one rhyme scheme for a one-line poem (A), two different rhyme schemes for a two-line poem (AA, AB), and five for a three-line poem: AAA, AAB, ABA, ABB, and ABC. These counts, however, include rhyme schemes in which rhyme is not employed at all ...
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Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work.