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9 Beet Stretch, by Scandinavian artist Leif Inge, is a 24-hours long piece made of Beethoven's Ninth Symphony.There is a version of 9 Beet Stretch for every digital recording excisting of the full Ninth Symphony, which then is to be augmented digitally to a duration of 24 hours with no pitch distortions.
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Title page of the first edition. Wellington's Victory, or the Battle of Vitoria (also called the Battle Symphony; in German: Wellingtons Sieg oder die Schlacht bei Vittoria), Op. 91, [1] is a 15-minute-long orchestral work composed by Ludwig van Beethoven to commemorate the Marquess (later Duke) of Wellington's victory over Joseph Bonaparte at the Battle of Vitoria in Spain on 21 June 1813 and ...
It is one of the earliest works of Beethoven's "middle" period. Beethoven wrote the Second Symphony without a standard minuet; instead, a scherzo took its place, giving the composition even greater scope and energy. The scherzo and the finale are filled with Beethovenian musical jokes, which shocked the sensibilities of many contemporary critics.
The first issue, Classical Speed, was recorded by crews including some highly recognized dance music producers mainly from Germany and Italy, and was released on December 11, 2002, featuring tracks originally composed by famous classical music composers such as Beethoven, Mozart, and Tchaikovsky.
The album is divided into two opuses : . Opus One "Beethoven on Speed (Beethoven's 5th Symphony in C Minor)" — 1:54 "Ultra-Dead" — 3:19 "Flight of the Bumble-Bee" — 2:08
The work was begun in the summer of 1812, immediately after the completion of the Seventh Symphony. [3] At the time Beethoven was 41 years old. According to Antony Hopkins, the mood of the work betrays nothing of the events that were taking place in Beethoven's life at the time, which involved his interference in his brother Johann's romantic relationships. [3]
In this fugue, Beethoven puts together three versions of the main subject: (1) the subject in its simple form, but in augmentation (meaning half the speed); (2) the same subject, abbreviated, in retrograde (that is, played backwards); and (3) a variation of the first half of the subject in diminution (that is, double time). Together, they sound ...