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The Brothers Johnson were an American funk and R&B band consisting of the American brothers George ("Lightnin' Licks") and Louis E. Johnson ("Thunder Thumbs"). [1] They achieved their greatest success from the mid-1970s to early 1980s, with three singles topping the R&B charts (" I'll Be Good to You ", " Strawberry Letter 23 ", and " Stomp! ").
"Stomp!" is a song released by the Brothers Johnson from their fourth album, Light Up the Night, in early 1980. It reached number one on the Dance singles chart. [3] In the US it reached number one on the R&B singles chart and peaked at number 7 on the Billboard Hot 100 in early 1980. [4]
In the '70s, he worked his production magic on albums by The Brothers Johnson, a funk duo from Los Angeles. ... USA TODAY Sports. Matthew Stafford sends signed jersey to dad who sold his for Lions ...
In 1989, Siedah Garrett wrote lyrics to the song, and it was recorded by Quincy Jones featuring Tevin Campbell on vocals for the album Back on the Block.The new version of the song spent one week at number one on the US R&B chart and peaked at number seventy-five on the US pop chart in June 1990. [1]
Styles' album track "Daydreaming" contained a sample of the Brothers Johnson 1978 song "Ain't We Funkin' Now," which Jones co-wrote. ... And grace with the success," Jones told USA TODAY in 2018 ...
Louis Johnson (April 13, 1955 – May 21, 2015) was an American bass guitarist. Johnson was best known for his work with the group the Brothers Johnson and his session playing on several hit albums of the 1970s and 1980s, including the best-selling album of all time , Michael Jackson 's Thriller .
An instrumental version was done by Phil Upchurch on his 1978 album Phil Upchurch around the same time as the Brothers Johnson version, which is a more upbeat funky version. [24] The Scottish band Pop Wallpaper released Strawberry Letter 23, "remodelled /.../ for the dance floor", as a single in 1986, with Audrey Redpath on vocals. [25]
Back in 1976, Jones produced the Brothers Johnson's R&B hit, “I'll Be Good to You,” and then re-recorded the track with Ray Charles and Chaka Khan — an ebullient number with contemporary production, completely transforming the classic. ___ National Writer Hillel Italie contributed to this report.