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Shri Ramachandra Kripalu, or "Shri Ram Stuti," is a Stuti (Horation Ode) verse from his work called Vinaya Patrika, written by Goswami Tulsidas. It was written in the sixteenth century in a mix of Sanskrit and Awadhi languages. The prayer/ode glorifies Shri Rāma and his characteristics to the best. Original version: MIX of Awadhi and Sanskrit:
This involves a tradition that has been followed for the last several centuries and includes Songs/Krithis/Lyrics from great composers all over India encompassing many Indian languages. [20] A Bhajan may be sung individually, but more commonly together as a choral event wherein the lyrics include religious or spiritual themes in the local language.
Jagadguru Shri Kripalu Ji Maharaj (IAST: Kṛpālu; 5 October 1922 – 15 November 2013) [4] [5] was an Indian spiritual guru and the fifth Jagadguru. [6] He was the founder of Prem Mandir in Vrindavan , one of the ten largest Hindu temples in the world.
Jagadguru, literally meaning "guru of the universe", is a title used in Sanātana Dharma.Traditionally, it has been bestowed upon or used for ācāryas belonging to the Vedānta school (among the six traditional schools of thought in Hinduism) who have written Sanskrit commentaries on the Prasthānatrayī (literally, 'the three sources') – the Brahma sūtras (the original scripture of ...
Kripalvananda (January 13, 1913 – December 29, 1981), also known as Swami Sri Kripalvanand or Bapuji, was a renowned master of kundalini yoga and the namesake of the Kripalu Center, Kripalu Yoga style and Kripalvananda Yoga Institute, as well as a significant influence on Kriya Yoga in the United States. [1] [2]
Thumak Chalat Ram Chandra is a bhajan (Hindu devotional song) written in the 16th century by the poet Goswami Tulsidas.The bhajan glorifies Shri Rama and his characteristics during the childhood. [1]
There are 5 sthāyis in Carnaatic music, namely, Anumandara (lowest), Mandara (literally means chant, which means lower), Madhya (literally means middle), Taara (means higher) and Athitaara (meaning very high). Most artists sing over two octaves or two and a half octaves range (within Mandra, Madhya and Taara sthaayis).
Jamboopathe by Muthuswamy Dikshitar, set to Rupaka talam is a famous composition. Some other famous compositions in Yamunakalyani are Krishna Nee Begane by Vyasatirtha, Bhavayami Gopalam by Annamacharya, Pibare Ramarasam by Sadashiva Brahmendra, O Rama Nee Nama by Bhadrachala Ramadasu, Sri Ramachandra Kripalu by Sant Tulsidas, Haridasulu by Tyagaraja and Kadana Vatsava Hari by Vijayadasa in ...