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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
The Prowler. (1951 film) The Prowler is a 1951 American film noir thriller film directed by Joseph Losey that stars Van Heflin and Evelyn Keyes. [1] The film was produced by Sam Spiegel (as S.P. Eagle) and was written by Dalton Trumbo. [2] Because Trumbo was blacklisted at the time, the screenplay was credited to his friend, screenwriter Hugo ...
Notorious. (1946 film) Notorious is a 1946 American spy film noir directed and produced by Alfred Hitchcock, starring Cary Grant, Ingrid Bergman, and Claude Rains as three people whose lives become intimately entangled during an espionage operation. The film follows U.S. government agent T. R. Devlin (Grant), who enlists the help of Alicia ...
Film noir is of course the dark, mysterious genre made popular in the 1940s and '50s and full of long shadows, shady characters, gloomy streets, inky nights and dimly lit rooms.
Budget. $1.5 million [2] Box office. $2.7 million [2][3] Blood Simple is a 1984 American independent neo-noir crime film written, edited, produced, and directed by Joel and Ethan Coen, and starring John Getz, Frances McDormand, Dan Hedaya, and M. Emmet Walsh. Its plot follows a Texas bartender who is having a love affair with his boss’s wife.
Budget. $400,000 [1] Jigsaw is a 1949 American film noir crime drama directed by Fletcher Markle starring Franchot Tone, Jean Wallace and Marc Lawrence. The feature was produced by the Danziger Brothers, Edward J. Danziger and Harry Lee Danziger from a screenplay by Vincent McConnor and Fletcher Markle, which was based on a story by John Roeburt.
The Two Mrs. Carrolls is a 1947 American mystery film noir directed by Peter Godfrey and starring Humphrey Bogart, Barbara Stanwyck, and Alexis Smith.It was produced by Mark Hellinger from a screenplay by Thomas Job, based on the 1935 play of the same name by Martin Vale [3] (a pseudonym of Marguerite Vale Veiller).
Nicholas Christopher, Somewhere in the Night (1997) While many critics refer to film noir as a genre itself, others argue that it can be no such thing. Foster Hirsch defines a genre as determined by "conventions of narrative structure, characterization, theme, and visual design." Hirsch, as one who has taken the position that film noir is a genre, argues that these elements are present "in ...
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