Search results
Results from the WOW.Com Content Network
8½ (Italian: Otto e mezzo [ˈɔtto e mˈmɛddzo]) is a 1963 comedy drama film co-written and directed by Federico Fellini.The metafictional narrative centers on Guido Anselmi (Marcello Mastroianni), a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film.
Federico Fellini Cavaliere di Gran Croce OMRI (Italian: [fedeˈriːko felˈliːni]; 20 January 1920 – 31 October 1993) was an Italian film director and screenwriter.He is known for his distinctive style, which blends fantasy and baroque images with earthiness.
Federico Fellini in the 1970s. This article is a list of awards and nominations received by Federico Fellini. Fellini's films have received four Academy Awards for Best International Feature Film for La Strada (1956), Nights of Cabiria (1957), 8½ (1963), and Amarcord (1974). He won the Academy Honorary Award in 1992 for his contributions to ...
Federico Fellini: His Life and Work (Italian: Federico. Fellini, la vita e i film) is a biography about the Italian filmmaker Federico Fellini, written by the critic Tullio Kezich. The first version of the book was published in 1987 as Fellini. A revised and expanded version was published in Italian in 2002 and English in 2006.
A list of books and essays about Federico Fellini: [1] Ashough, Jamshid (2016). Enigma of a Genius - Understanding Fellini's language. Zona Franca.
Italy has submitted films for the Academy Award for Best International Feature Film [nb 1] since the conception of the award. The award is handed out annually by the United States Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States that contains primarily non- English dialogue.
العربية; Aragonés; Azərbaycanca; تۆرکجه; বাংলা; Беларуская; Беларуская (тарашкевіца) Български
The maestro has gone back to his "8 1/2" and come up with zero." [ 28 ] Tom McElfresh of The Cincinnati Enquirer described the film as having "events and elements that warrant all the usual Fellini review words again: Macabre, penetrating, illusive, antic, astounding, perverse, playful, acerbic . . .