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"Where Did I Go Wrong" is a song written and recorded by American country music artist Steve Wariner. It was released in January 1989 as the first single from the album I Got Dreams. It was Wariner's eighth number-one country single, spending one week at the top of the chart during a fourteen-week chart run. [1]
For instance, if a piece of music is in E ♭ major, then the seven pitches in the E ♭ major scale (E ♭, F, G, A ♭, B ♭, C and D) are considered diatonic pitches, and the other five pitches (E ♮, F ♯ /G ♭, A ♮, B ♮, and C ♯ /D ♭) are considered chromatic pitches. In this case, the key signature will have three flats (B ...
His first was "All Roads Lead to You" in 1981, followed by two streaks of three consecutive Number Ones each: "Some Fools Never Learn," "You Can Dream of Me" and "Life's Highway" between 1985 and 1986, and "Small Town Girl," "The Weekend" and "Lynda" between 1986 and 1987, followed by "Where Did I Go Wrong" and "I Got Dreams," both in 1989.
In music, a major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root. The major seventh chord, sometimes also called a Delta chord, can be written as maj 7, M 7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added ...
All tracks composed and arranged by UB40; except where indicated "Dance With the Devil" – 5:43 "Come Out to Play" – 3:15 * "Breakfast in Bed" (Eddie Hinton, Donnie Fritts) – Dusty Springfield Cover – 3:21 *
Franz Schubert's Trout Quintet and Antonín Dvořák's Piano Quintet No. 2 are both in A major. Johannes Brahms, César Franck, and Gabriel Fauré wrote violin sonatas in A major. In connection to Beethoven's Kreutzer Sonata, Peter Cropper said that A major "is the fullest sounding key for the violin." [2]
Funk emphasizes the groove and rhythm as the key element, so entire funk songs may be based on one chord. Some jazz-funk songs are based on a two-, three-, or four-chord vamp. Some punk and hardcore punk songs use only a few chords. On the other hand, bebop jazz songs may have 32-bar song forms with one or two chord changes every bar.
A typical sequence of a jazz or rock song in the key of C major might indicate a chord progression such as C – Am – Dm – G 7 . This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord.