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The ivory's history between then and 1625 is unknown – in that year it was offered by the leading antiquary Nicolas-Claude Fabri de Peiresc to the Papal legate Cardinal Francesco Barberini in Aix-en-Provence, becoming part of the Barberini collection in Rome. Peiresc mentions it specifically in a letter to his friend Palamède de Vallavez ...
Thanks to more than 150 artworks from their 4,000-piece collection, the Baroque institution has never looked fresher. These Collectors Hosted the First Contemporary Art Show at Barberini Palace ...
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Sculpture (Ivory) Apollo Sauroctonos (Apollo Lizard-killer) Sculpture (Roman) Marcellus as Hermes Logios: Sculpture (Roman) Ship of Fools: Painting Hieronymus Bosch: Portrait of a Princess: Painting Pisanello: Madonna della Vittoria: Painting Andrea Mantegna: Triumph of the Virtues: Painting Andrea Mantegna: St. Sebastian: Painting Andrea Mantegna
The panel is the largest single piece of carved Byzantine ivory that survives, [1] at 42.9 × 14.3 cm (16 7/8 × 5 5/8 in). [2] It is, along with the Barberini ivory , one of two important surviving 6th-century Byzantine ivories attributed to the imperial workshops of Constantinople under Justinian, [ 3 ] although the attribution is mostly ...
Memorial to Carlo Barberini: Santa Maria in Ara Coeli, Rome 1630 Sculpture Marble 26 [32] Statue of Carlo Barberini: Palazzo dei Conservatori, Rome 1630 Sculpture Marble Life-size 27 [33] Self-Portrait as a Mature Man (Bernini) [Wikidata] Uffizi, Florence 1630–1635 Painting Oil on canvas 62 cm × 46 cm (24.4 in × 18.1 in) NA [34] Saint Longinus
He was born in Florence to Carlo Barberini and Costanza Magalotti, and studied at the University of Pisa, [2] graduating in canon and civil law in 1623. His uncle, Maffeo Barberini, newly elected as Pope Urban VIII, made him archpriest of S. Giovanni in Laterano, and two months later, cardinal deacon of Sant'Onofrio, which was exchanged the following year for Sant'Agata de' Goti.
Barberini Ivory on display at the Louvre. Panel of a possible imperial diptych representing the empress Ariadne, Bargello.. In Late Antiquity, an imperial diptych is a theoretical type of ivory diptych, made up of two leaves of five panels each and each with a central panel representing the emperor or empress.
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