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In film and television, a script breakdown is an analysis of a screenplay in which all of the production elements are reduced into lists. Within these lists are, in essence, the foundation of creating a production board, which is fundamental in creating a production schedule and production budget of an entire production of any film or television program in pre-production. [1]
The first true screenplay is thought to be from George Melies' 1902 film A Trip to the Moon. The movie is silent, but the screenplay still contains specific descriptions and action lines that resemble a modern-day script. As time went on and films became longer and more complex, the need for a screenplay became more prominent in the industry.
Script coverage is the summary and analysis of a script's plot and writing quality, used by production companies to track film and TV screenplays. Coverage consists of a number of elements. The first is a 1-to-2-page synopsis of the script's story highlighting the main characters and events of the tale.
Further earnings result from pay television purchases, foreign market purchases and DVD sales to establish worldwide distribution gross of a film. Once a screenplay is "green-lit", directors and actors are attached and the film proceeds into the pre-production stage, although sometimes development and pre-production stages will overlap.
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...
A scriptment borrows characteristics from both a regular screenplay and a film treatment and is comparable to a step outline: the main text body is similar to an elaborate draft treatment, while usually only major sequences receive scene location headings (), which is different from the extensive slug line formatting in standard screenplays, where every new scene or shot begins with an INT./EXT.
Also speculative screenplay. A non-commissioned and unsolicited screenplay or film treatment, i.e. one that is written of a screenwriter 's own accord, usually with the intention of having the script optioned and eventually purchased by a producer, production company, or film studio. split edit split screen special effect special effects supervisor
These five elements take an audience through a film in a familiar way. As an example, in the 1991 Academy Award Winning film Silence of the Lambs, the audience joins Clarice Starling on her metamorphosis from fledgling to experienced FBI agent. [16] They go through the story with her. What she learns, they learn.
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