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Trees in Chinese mythology and culture tend to range from more-or-less mythological such as the Fusang tree and the Peaches of Immortality cultivated by Xi Wangmu to mythological attributions to such well-known trees, such as the pine, the cypress, the plum and other types of prunus, the jujube, the cassia, and certain as yet unidentified trees.
Iusaaset was associated with the acacia tree and acacias stood at the sanctuary dedicated to Iusaaset at Heliopolis. [3] The process of creation was said to have begun when Atum masturbated, or copulated with himself, to produce the deities Shu and Tefnut, thus beginning the process of creation. The hand he used in this act was personified as a ...
Chinese mythology (traditional Chinese: 中國神話; simplified Chinese: 中国神话; pinyin: Zhōngguó shénhuà) is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions.
The following is a list of supernatural beings in Chinese folklore and fiction originating from traditional folk culture and contemporary literature.. The list includes creatures from ancient classics (such as the Discourses of the States, Classic of Mountains and Seas, and In Search of the Supernatural) literature from the Gods and Demons genre of fiction, (for example, the Journey to the ...
Birds in Chinese mythology; Black Tortoise, a turtle that represents the cardinal point North and Winter. The Black Tortoise. Bo beast,a horse-like beast with one horn that eats tigers and leopards. [3] Bovidae in Chinese mythology; Boyi, a sheep-like beast with nine tails and four ears and eyes on its back. A man who wears fur of boyi will ...
Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).
An origin myth for the lunar phases was that a great forest or great tree grew there, swiftly growing and losing leaves and blossoms over the course of each month. After the expansion of the Chinese cultural area south of the Yangtze during the Qin and Han dynasties, the lunar trees became associated with the fragrant and white-blossoming Osmanthus fragrans.
The (c. 4th century) Soushenji (搜神記, "In Search of the Supernatural") has a story about "The Penghou in the Camphor Tree": During the Wu Kingdom (Three Kingdoms Period, 220–280) Jing Shu felled a big camphor tree. Then the wood bled and inside there was an animal that was similar to a dog but with a human face.