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Rachel Whiteread, Embankment at Tate Modern, London An installation art of Mad crab created with waste plastics and similar non-biodegradable wastes at Fort Kochi. Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a
Video installation is a contemporary art form that combines video technology with installation art, making use of all aspects of the surrounding environment to affect the audience. Tracing its origins to the birth of video art in the 1970s, it has increased in popularity as digital video production technology has become more readily accessible.
Christopher Lee Burden (April 11, 1946 – May 10, 2015) was an American artist working in performance art, sculpture, and installation art. Burden became known in the 1970s for his performance art works, including Shoot (1971), where he arranged for a friend to shoot him in the arm with a small-caliber rifle. A prolific artist, Burden created ...
The Eternal Frame (1975) is a video-based art installation documenting the reenactment of the John F. Kennedy assassination in Dealey Plaza in a collaboration between two San Francisco-based artist collectives: T.R. Uthco (Diane Andrews Hall, Doug Hall, Jody Procter) and Ant Farm (Chip Lord, Doug Michels, Curtis Schreier).
Matthieu Laurette (born 1970), multimedia, conceptual, installation and video artist; Robert Lazzarini (born 1965), sculptor and installation artist; Lee Bul (born 1964), sculpture, installation and conceptual artist; Marc Lee (born 1969), installation, new media and conceptual artist; Zoe Leonard (born 1961), photographer and visual artist
Robert Walter Irwin (September 12, 1928 – October 25, 2023) was an American installation artist who explored perception and the conditional in art, often through site-specific, architectural interventions that alter the physical, sensory and temporal experience of space.
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Robert Irwin, Scrim Veil Black Rectangle Natural Light, Whitney Museum 2013 The term "site-specific art" was promoted and refined by Californian artist Robert Irwin [7] [8] but it was actually first used in the mid-1970s by young sculptors, such as Patricia Johanson, Dennis Oppenheim, and Athena Tacha, who had started executing public commissions for large urban sites. [9]