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A scene from the Bayeux Tapestry depicting Bishop Odo rallying Duke William's army during the Battle of Hastings in 1066. The Bayeux Tapestry [a] is an embroidered cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall [1] that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England ...
The Bayeux Tapestry tituli are Medieval Latin captions that are embroidered on the Bayeux Tapestry and describe scenes portrayed on the tapestry. These depict events leading up to the Norman conquest of England concerning William, Duke of Normandy, and Harold, Earl of Wessex, later King of England, and culminating in the Battle of Hastings.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Engravings from Stothard's drawings of the Bayeux Tapestry were made by James Basire, and published in 1823. [7] They show the complete tapestry, and were described by the art historian Eric Maclagan as "exquisite plates [which] still provide what is in many ways the most adequate representation of the original". [8]
Part of the Overlord Embroidery showing The Blitz. The Overlord Embroidery, echoing the Bayeux Tapestry created 900 years before to commemorate the reverse invasion of England from Normandy, is a narrative embroidery that depicts the story of the D-Day Landings of 6 June 1944 and the subsequent Battle of Normandy.
Bayeux Tapestry created by the Leek Embroidery Society on display at Reading Museum, 2019. By 1885, thirty-seven ladies of the Leek School of Art Embroidery Society began work on a replica of the Bayeux Tapestry. [10] Elizabeth had seen the real Bayeux Tapestry while at an exhibition and believed that Britain should have its own version.
Wadard, depicted in the Bayeux Tapestry. Wadard was an 11th-century Norman nobleman who is mentioned in the Domesday Book of 1086, and is depicted in the Bayeux Tapestry. Wadard was a noble who travelled to England in 1066 with Duke William of Normandy. He is depicted and named in the Bayeux Tapestry on a foraging expedition, and may have been ...
The tapestry mentions a small number of important figures by name. When they are mentioned, their name is depicted directly above their head. For this reason, some believe that Turold is not the messenger in red who would later become Constable of Bayeux, but the man who appears to have a form of dwarfism and is holding the messenger's horse's reins. [1]
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