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Diane Arbus (/ d iː ˈ æ n ˈ ɑːr b ə s /; née Nemerov; March 14, 1923 – July 26, 1971 [2]) was an American photographer. [3] [4] She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. [5]
Diane Arbus photograph, Identical Twins, Roselle, New Jersey, 1967. Identical Twins, Roselle, New Jersey, 1967 is a noted photograph by photographer Diane Arbus from the United States. Since its debut Identical twins, Roselle, N. J., has become the image most closely associated with her large body of work. The photograph was chosen as the cover ...
Allan Arbus (1918–2013) Amy Arbus (born 1954) Diane Arbus (1923–1971) David Armstrong (1954–2014) Daniel Arnold; Eve Arnold (1912–2012) Bill Aron (born 1941) Abraham Aronow (born 1940) Thomas E. Askew (1847–1914) Bill Atkinson (born 1951) Richard Avedon (1923–2004) Jerry Avenaim (born 1961) John Baldessari (1931–2020) Jamie ...
Fur: An Imaginary Portrait of Diane Arbus (also known simply as Fur) is a 2006 American romantic drama film directed by Steven Shainberg and written by Erin Cressida Wilson, based on Patricia Bosworth's book Diane Arbus: A Biography.
This page was last edited on 8 December 2023, at 02:22 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Allan Franklin Arbus (February 15, 1918 – April 19, 2013) [1] was an American actor and photographer. He was the former husband of photographer Diane Arbus. He is known for his role as psychiatrist Dr. Sidney Freedman on the CBS television series M*A*S*H.
Arbus' Child with Toy Hand Grenade in Central Park, N.Y.C. 1962 Arbus' contact sheet from the photo shoot. Child with Toy Hand Grenade in Central Park, N.Y.C. 1962 (1962) is a famous black and white photograph by Diane Arbus.
New Documents was an influential [1] documentary photography exhibition at Museum of Modern Art, New York, in 1967, curated by John Szarkowski. [2] It presented photographs by Diane Arbus, Lee Friedlander and Garry Winogrand and is said to have "represented a shift in emphasis" [3] and "identified a new direction in photography: pictures that seemed to have a casual, snapshot-like look and ...
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