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"Trouble" is a song written by the English singer-songwriter and musician, Cat Stevens, during a period from 1969 to 1970. Stevens was recovering during what amounted to nearly a year of convalescence , after being diagnosed with a collapsed lung and tuberculosis .
Four of the songs from this album were used in the 1971 film Harold and Maude: "Tea for the Tillerman"; "Where Do the Children Play"; "Miles from Nowhere" and "On the Road to Find Out". The song " Father and Son ", was used in the closing scene of the 2017 film Guardians of the Galaxy Vol. 2 . [ 35 ]
Yusuf Islam (born Steven Demetre Georgiou; 21 July 1948), [1] commonly known by his stage names Cat Stevens, Yusuf, and Yusuf / Cat Stevens, is a British singer-songwriter and musician. He has sold more than 100 million records and has more than two billion streams. [ 2 ]
Tea for the Tillerman 2 (stylised as Tea for the Tillerman²) is the sixteenth studio album by singer-songwriter Yusuf / Cat Stevens, released on 18 September 2020 by Cat-O-Log Records through Island. It is a re-imagining of his hit 1970 album Tea for the Tillerman.
Miles from Nowhere" is a song by The Smithereens. Miles from Nowhere may also refer to: Miles from Nowhere, novel by Nami Mun 2009; Miles from Nowhere (1992 film), directed by Buzz Kulik starring Ricky Schroder and James Farentino; Miles from Nowhere, working title of 2009 TV movie Chasing a Dream "Miles from Nowhere", a song by Cat Stevens ...
The songs themselves were darker in tone: the madrigal-inspired ballad "Lady D'Arbanville" elevated the tragedy of a lost lover (in this case, Stevens' former girlfriend Patti D'Arbanville) to that of a deceased one and "Trouble" was a plea to stave off death. There were also lighter songs: "Pop Star" showcased Stevens' dramatic change in voice ...
Here Comes My Baby (Cat Stevens song) How Can I Tell You; The Hurt (Cat Stevens song) I. I Love My Dog ... Trouble (Cat Stevens song) Tuesday's Dead; Two Fine People; W.
[15] Miami Herald 's Howard Cohen thought there were far too many tracks in the box set, and wrote that the new songs "fail to advance one's appreciation of the artist". [17] Goldmine 's Dave Thompson noted the "seamless" song transitions and concluded that "the box is unquestionably a magnificent edifice", with the additional notes from ...