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Their work was termed "concrete poetry" after they exhibited along with the artists in the National Exhibition of Concrete Art (1956/57). The poets included Augusto de Campos, Haroldo de Campos and Décio Pignatari, who were joined in the exhibition by Ferreira Gullar, Ronaldo Azeredo and Wlademir Dias Pino from Rio de Janeiro. In 1958 a ...
Seiichi Niikuni (新国誠一, Niikuni Seiichi, December 7, 1925 – August 23, 1977) was a Japanese poet and painter.He was one of the foremost pioneers of the international avant-garde concrete poetry movement, creating works of calligraphic, visual and aural poetry.
James Merrill (1926–1995), US poet; 1977 Pulitzer Prize for Poetry; Thomas Merton (1915–1968), US writer and Trappist monk; W. S. Merwin (1927–2019), US poet and author; 1971 and 2009 Pulitzer Prize for Poetry; 2010 US Poet Laureate; Sarah Messer (born 1966), US poet and writer; Charlotte Mew (1869–1928), English poet
Catullus is the chief representative of a school of poets known as the poetae novi or neoteroi, both terms meaning "the new poets". Their poems were a bold departure from traditional models, being relatively short and describing everyday occurrences and intense personal feelings; by contrast, traditional poetry was generally large and epic ...
Mary Ellen Solt, née Bottom (July 8, 1920 in Gilmore City, Iowa – June 21, 2007) was an American concrete poet, essayist, translator, editor, and professor. Her work was most notably poems in the shape of flowers such as "Forsythia", "Lilac", and "Geranium". They were collected in Flowers in Concrete (1966).
An inner spread from Tango With Cows.This copy is in MoMA. Around 1913 the group became known as cubo-futurists, originally coined in a lecture by the critic Chukovsky [5] referring to the group's stylistic similarities both to French Cubism and to the Italian avant-garde poet Marinetti's new movement (Italian) futurism, with its emphasis on speed and modernity.
The Concrete poetry was an avant-garde movement started in Brazil during the 1950s, characterized for extinguishing the general conception of poetry, creating a new language called ''verbivocovisual''. [74] its significant figures are Augusto de Campos, Haroldo de Campos, and Décio Pignatari.