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The Roman architectural revolution, also known as the "concrete revolution", [4] [5] [6] was the widespread use in Roman architecture of the previously little-used architectural forms of the arch, vault, and dome. For the first time in history, their potential was fully exploited in the construction of a wide range of civil engineering ...
A 1521 Italian language edition of De architectura, translated and illustrated by Cesare Cesariano Manuscript of Vitruvius; parchment dating from about 1390. De architectura (On architecture, published as Ten Books on Architecture) is a treatise on architecture written by the Roman architect and military engineer Marcus Vitruvius Pollio and dedicated to his patron, the emperor Caesar Augustus ...
Altare della Patria, the best-known symbol of Roman neoclassical architecture. In 1870, Rome became the capital city of the new Kingdom of Italy. During this time, neoclassicism, a building style influenced by the architecture of classical antiquity, became a predominant influence in Roman architecture. During this period, many great palaces in ...
Like all architectural theory of the Renaissance, precedents for a Tuscan order were sought for in Vitruvius, who does not include it among the three canonic orders, but peripherally, in his discussion of the Etruscan temple (book iv, 7.2–3). Later Roman practice ignored the Tuscan order, [5] and so did Leon Battista Alberti in De re ...
Roman Building: Materials and Techniques (French: La Construction Romaine: matériaux et techniques) is a treatise on Roman construction by French architect and archaeologist Jean-Pierre Adam, first published in 1984. A second edition was published in 1989, and an English translation by Anthony Mathews was published in 1994.
Palladio drew inspiration from surviving Roman buildings, Roman authors (especially the architect Vitruvius) and Italian Renaissance architects. However, The Four Books of Architecture provided systematic rules and plans for buildings which were creative and unique. Palladio's villa style is based on details applied to a structural system built ...
The architectural style of the capital city of ancient Rome was emulated by other urban centers under Roman control and influence, [12] like the Verona Arena, Verona, Italy; Arch of Hadrian, Athens, Greece; Temple of Hadrian, Ephesus, Turkey; a Theatre at Orange, France; and at several other locations, for example, Lepcis Magna, located in ...
The style and vaulting in the Nesebar cross-in-square churches of Christ Pantocrator and St John Aliturgetos, for example, are similar to examples in Constantinople. [239] Following the construction of Gračanica monastery, the architecture of Serbia used the "so-called Athonite plan", for example at Ravanica (1375–7).