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Marcel Duchamp, Fountain, 1917. Photograph by Alfred Stieglitz Robert Rauschenberg, Portrait of Iris Clert 1961 Art & Language, Art-Language Vol. 3 Nr. 1, 1974. Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work are prioritized equally to or more than traditional aesthetic, technical, and material concerns.
Pop art, mixed-media installations, modern art, figurative art, conceptual art Anton Del Castillo (born in 1976 in Tondo , Manila, Philippines) is a multi-awarded and critically acclaimed Filipino visual artist known for the stunning craftsmanship and meticulous design of his artworks that meditate on critiques of modernism and contemporary ...
He initiated the first 13 Artists Awards, giving recognition to young artists whose works 'show a recentness, a turning away from the past and familiar modes of art-making'. He led the 1970s conceptual art group called Shop 6 and taught for over 30 years at the UP College of Fine Arts, where he espoused an art practice that gave precedence to ...
Post-conceptual, postconceptual, post-conceptualism or postconceptualism is an art theory that builds upon the legacy of conceptual art in contemporary art, where the concept(s) or idea(s) involved in the work takes some precedence over traditional aesthetic and material concerns. [1]
Albano succeeded Roberto Chabet as Museum Director of the Cultural Center of the Philippines (CCP) in 1970. [7] He introduced the exhibition of multimedia works during his tenure at the CCP and also personally designed several exhibition posters. He is a founding partner of Finale Art File, one of the oldest contemporary art galleries in Manila.
A clear motivation of contemporary conceptualism is that the kind of perception that rational creatures like humans enjoy is unique in the fact that it has conceptual character. McDowell explains his position: I have urged that our perceptual relation to the world is conceptual all the way out to the world’s impacts on our receptive capacities.
The idea of neo-conceptual art (sometimes later termed post-conceptual art) in the United States was clearly articulated by Tricia Collins and Richard Milazzo (working as a team called Collins & Milazzo) in the early and mid 1980s in New York City, [1] when they brought to prominence a whole new generation of artists through their copious writings and curatorial activity. [2]
Conceptual photography is often used interchangeably with fine-art photography, and there has been some dispute about whether there is a difference between the two. However, the central school of thought is that conceptual photography is a type of fine-art photography. [4] Fine art photography is inclusive of conceptual photography.