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The tapes that would later become Live at Max's Kansas City were recorded on August 23, 1970, by Andy Warhol associate Brigid Polk on a portable cassette recorder. During the recording of Loaded, the Velvet Underground also held a nine-week engagement (June 24 – August 28, 1970) playing two sets per night at New York City nightclub Max's ...
1969: The Velvet Underground Live is a live album by the Velvet Underground. It was originally released as a double album in September 1974 by Mercury Records . The September 1988 CD re-release was issued as two separate single CD volumes, with one extra track per disc.
In May 1972, Atlantic released Live at Max's Kansas City, the recording of the Velvet Underground's final performance with Reed (also with Doug Yule, Morrison, and Billy Yule) made by a fan, Brigid Polk, on August 23, 1970. Due to publicity around the release, and growing interest in the Velvet Underground in Europe, Sesnick was able to secure ...
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July 26, 1970 (Live at Max's Kansas City) August 23, 1970 (Live at Max's Kansas City, deluxe edition) "Loop" Studio recordings: Aspen #3 (1966) Released on a flexidisc split with "White Wind" by Peter Walker for issue #3 of Aspen magazine (designed by Andy Warhol). [2] Credited to The Velvet Underground, but in reality a solo effort by John Cale.
Before the Velvet Underground, and before he became one of the most important songwriters of his generation, Lou Reed was a songwriter for hire at a company called Pickwick Records. He churned out ...
Max's Kansas City was a nightclub and restaurant at 213 Park Avenue South in New York City, which became a gathering spot for musicians, poets, artists, and politicians in the 1960s and 1970s. It was opened by Mickey Ruskin (1933–1983) in December 1965 and closed in 1981.
Journal Sentinel books editor Jim Higgins packs a lot into his new book about Lou Reed and the Velvet Underground's nearly 50-album discography. 'Sweet Wild and Vicious' is a tour through the ...