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A recording head is the physical interface between a recording apparatus and a moving recording medium.Recording heads are generally classified according to the physical principle that allows them to impress their data upon their medium.
The endless loop tape cartridge was designed in 1952 by Bernard Cousino of Toledo, Ohio. [6] [7]Previously, music in the car had been restricted mostly to radios. Records, due to their methods of operation and size, were not practical for use in a car, although several companies tried to market automobile record players such as the Highway Hi-Fi and the Auto-Com flexidisc.
A cross-field head, sometimes referred to as X-field, is an additional recording head in a tape recorder that improves the ability to record high-frequency sounds. The concept was first introduced by Tandberg in their TB-6X 1960s, and more widely used by Akai and their US brand, Roberts.
The Digital Audio Stationary Head or DASH standard is a reel-to-reel, digital audio tape format introduced by Sony in early 1982 for high-quality multitrack studio recording and mastering, as an alternative to analog recording methods.
This allows use of the entire width of the tape, storing much more data per inch of tape, compared to the fixed head used in audio tape recording, which records a single track down the tape. The heads move across the tape at the high speed necessary to record the high-bandwidth video signal, but the tape moves at a slower speed through the machine.
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The dummy head is designed to record multiple sounds at the same time enabling it to be exceptional at recording music as well as in other industries where multiple sound sources are involved. The dummy head is designed to replicate an average-sized human head and depending on the manufacturer may have a nose and mouth too.
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