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The servant songs (also called the servant poems or the Songs of the Suffering Servant) are four songs in the Book of Isaiah in the Hebrew Bible, which include Isaiah 42:1–4; Isaiah 49:1–6; Isaiah 50:4–11; and Isaiah 52:13–53:12. The songs are four poems written about a certain "servant of YHWH" (Hebrew: עבד יהוה, ‘eḇeḏ ...
The oldest songs from the Ausbund are mainly about the suffering church in a hostile environment. At the center stand those serious Christians who are prepared to die for their faith. They reflect not only grief and despair, but also the understanding of God's presence. There are always more reasons to thank God as one pours out their troubles.
Songs That Jesus Said — When Trials Come (Hymn on Suffering) 2005 Kristyn Getty: New Irish Hymns 4: Lyrics, Story: Who Do You Say He Is Based on Luke 9:18-20: 2005 Kristyn Getty: Songs That Jesus Said: Liner notes: “For Victoria Hélène-May” With the Early Morning (Song of the Kingdom) 2001 Máire Brennan: New Irish Hymns — The Wonder ...
Alternatively, John M. Merriman writes that the hymn "began as a martial song to inspire soldiers against the Ottoman forces" during the Ottoman wars in Europe. [4] The earliest extant hymnal in which it appears is that of Andrew Rauscher (1531). It is believed to have been included in Joseph Klug's Wittenberg hymnal of 1529, of which no copy ...
Church Gospel Songs and Hymns, V.E. Howard Publishing (1983) Hymns for Worship (Revised in 1994 with a couple hundred more selections), R.J. Stevens publishing (1987) Praise for the Lord, John P. Wiegand (1992) Songs of Faith and Praise, Alton Howard publishing (1993) Sacred Songs of the Church, W. D. Jeffcoat, Psallo Publications (2007)
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as a ritual. Religious songs have been described as a source of strength, as well as a means of easing pain ...
During the following centuries, the Chant tradition was still at the heart of Church music, where it changed and acquired various accretions. Even the polyphonic music that arose from the venerable old chants in the Organa by Léonin and Pérotin in Paris (1160–1240) ended in monophonic chant and in later traditions new composition styles ...
"I Vow to Thee, My Country" is a British patriotic hymn, created in 1921 when music by Gustav Holst had a poem by Sir Cecil Spring Rice set to it. The music originated as a wordless melody, which Holst later named " Thaxted ", taken from the "Jupiter" movement of Holst's 1917 suite The Planets .
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