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The Resurrection stained glass window. The chapel's interior measures 26 by 32 feet (7.9 by 9.8 m). [2] The interior decor was designed and manufactured by Tiffany & Co., and Louis Comfort Tiffany personally sought out the commission. [2] After winning the project, Tiffany traveled to Cleveland to consult with Hubbell & Benes about the decor ...
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
Clayton and Bell was one of the most prolific and proficient British workshops of stained-glass windows during the latter half of the 19th century and early 20th century. [1] The partners were John Richard Clayton (1827–1913) and Alfred Bell (1832–1895). The company was founded in 1855 and continued until 1993.
Povey Brothers rose window in Old St. Peter's Landmark, The Dalles, Oregon Detail of Oregon State Seal skylight in the courtroom of the Oregon Supreme Court Building, Salem, Oregon. Povey Brothers Studio, also known as Povey Brothers Art Glass Works or Povey Bros. Glass Co., was an American producer of stained glass windows based in Portland ...
The expressions "splitting the baby" or "cutting the baby in half" can be used to describe a split award (usually accompanied by a split costs award) in the most for a heavy-handed, costs-insensitive suit (such as entailing multiple hearings and disproportionate spending on both sides) for a relatively simple compromise.
Connick's 73-foot (22 m) tall transept windows of Heinz Memorial Chapel at the University of Pittsburgh are among the tallest in the world. Connick preferred to use clear "antique" glass, similar to that of the Middle Ages and praised this type of glass as "colored radiance, with the lustre, intensity, and baffling vibrant quality of dancing lights."
English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
The Cologne Cathedral Window is the stained glass window in the south transept of the Cologne Cathedral designed by Cologne artist Gerhard Richter. On a surface of 106 square metres, 11,263 glass squares in 72 colours of 9,6 cm × 9.6 cm were principally arranged randomly, with others selected in response to architectural context. [ 1 ]
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