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Khufukhaf is depicted with Queen Henutsen in the Hall of the Mastaba. Several sons are mentioned as well. [4] A son named Wetka (also called Tuka) is depicted in the chapel of the mastaba. Another son named Iuenka (or Iun-ka) is depicted in the chapel as well. Iunka is given the title of King's Son in the tomb. [6] [7] Khufukhaf also had a ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Khufukhaf I and his wife Nefertkau II: Partial title list: Vizier, hereditary prince, administrator of Buto, priest of Khufu, King's son, King's son of his body, Sole companion. [4] Dynasty IV (Khufu) Son of Khufu. Was elevated to vizierate after the completion of his tomb. A statue was set up in his chapel to record that. G 7210 +7220: Double ...
Nefertkau II was an Ancient Egyptian noble lady, the wife of Prince Khufukhaf I, son of pharaoh Khufu. [1] Nefertkau and Khufukhaf had several children including two sons named Wetka and Iuenka, as well as an unnamed daughter. [2] Both sons Wetka and Iuenka appear in the tomb of Khufukhaf and Nefertkau offering papyrus.
Khufukhaf II (meaning "Khufu raised him"; died c. 2430 BC [1]) was an ancient Egyptian high official during the Old Kingdom period. Likely born during the 4th Dynasty , Khufukhaf died during the reign of king Nyuserre Ini of the 5th Dynasty .
These chords stand in the same relationship to one another (in the relative minor key) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the relative minor key. For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D ...
Minkhaf I was an ancient Egyptian prince of the 4th Dynasty.He was a son of Pharaoh Khufu, half-brother of Pharaoh Djedefre and elder brother of Pharaoh Khafre. [2] His mother may have been Queen Henutsen. [3]
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest.