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The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a ...
The key differences between making jewelry by wire wrapping and other approaches to making jewelry are two-fold; Wire wrapped jewelry is made of wire and sometimes findings similar to wire (head-pins, jump rings, etc.) Wire wrapped jewelry is made using mechanical connections between components and without soldering or other heat treatments.
In the Appalachian region of the U.S. in the nineteenth century, hammered dulcimers were rare. There, the word dulcimer, which was familiar from the King James Version of the Bible, was used to refer to a three or four stringed fretted instrument, generally played on the lap by strumming. Variants include: The original Appalachian dulcimer
This page was last edited on 6 February 2025, at 11:20 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Appalachian dulcimers are strung with metal wire strings; wound strings may be used for the lower pitched courses. These strings are very similar to those used on banjos and guitars, and before manufacturers provided special "dulcimer sets", banjo strings were frequently used.
Bracelet and necklace wire components are generally made out of wire that is 16-, 18- or 20-gauge (1.3 to 0.8 mm). Earring wires are usually made out of 18- or 20-gauge wire (1.0 to 0.8 mm). When making wire wrapped jewelry, these components are connected to one another with wire that is generally 20- to 26-gauge (0.8 to 0.4 mm). Frequently the ...
Hammered dulcimer; Harpejji; Jhallari; Khim (Thailand and Cambodia) Piano (Keyboard instrument) Santur/Santoor (Persia, India, Pakistan, Greece) Tsymbaly (Ukraine) Utogardon (Hungary) Warr guitar; Yanggeum (Korea) Yangqin (China)
The modern Hungarian concert cimbalom was designed and created by V. Josef Schunda in 1874 in Budapest based on his modifications to existing folk dulcimers. [1] He demonstrated an early prototype with some improvements at the 1873 Vienna World's Fair, gaining praise from audiences and drawing the attention of highly-placed Hungarian politicians such as József Zichy, Gyula Andrássy, and King ...
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