Search results
Results from the WOW.Com Content Network
Checkmates, Ltd. chronology; Live! at Caesar's Palace (1967) Love Is All We Have to Give (1969) Professional ratings; Review scores; Source Rating;
The Checkmates, Ltd. were an American R&B group from Fort Wayne, Indiana. [1] The group, discovered by Nancy Wilson, was named such because the group included both black and white members, and their various skin tones evoked a chessboard; [1] their one major hit was 1969's "Black Pearl", produced by Phil Spector. [1]
Love Is All We Have to Give is the first studio album by Checkmates, Ltd., released in 1969, and their second overall album after the 1967 live album Live! at Caesar's Palace. Love Is All We Have to Give reached No. 178 on the Billboard Top LPs chart. [4]
Realtime Associates, Inc. is an American video game developer and publisher. The company was founded in 1986 by David Warhol and a group of ex-Mattel Electronics employees originally to create games for the Intellivision system.
The Charles R. Shoemate Stock Index From January 2008 to May 2012, if you bought shares in companies when Charles R. Shoemate joined the board, and sold them when he left, you would have a 3.9 percent return on your investment, compared to a -10.5 percent return from the S&P 500.
Also a live performance by Beryl Marsden of "Everybody Loves a Lover" with the Shirelles' version's arrangement was recorded at the Cavern Club in June 1963 and released on the multi-artist album At The Cavern released 1964. Checkmates, Ltd. released a version of the song as part of a medley on their 1967 debut album, Live! At Caesar's Palace. [5]
(Reuters) - Entrepreneur and former Los Angeles Dodgers owner Frank McCourt's Project Liberty and its consortium of partners in The People's Bid said on Thursday they proposed to make a formal bid ...
Live at Caesars Palace is a live album by the American singer Diana Ross, released in 1974. [4] It was recorded during a 1973 performance at Las Vegas' Caesars Palace. [5] It was the first of two live albums Ross recorded for Motown. It reached No. 64 in the USA (#15 R&B). [6]