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"Why Me" was Kristofferson's lone major country hit as a solo recording artist, reaching No. 1 on the Billboard Hot Country Singles chart in July 1973. [4] The song peaked only at No. 16 on the Billboard Hot 100, but had at that time one of the longer runs (19 weeks) in the top 40 [1] and the most chart reversals (6) in one run on the Hot 100.
He also swept the Grammy Awards that year with numerous songs nominated, winning country song of the year for "Help Me Make It Through the Night". Kristofferson's 1972 fourth album, Jesus Was a Capricorn , initially had slow sales, but the third single, " Why Me ", was a success and significantly increased album sales.
Jesus Was a Capricorn was produced by Fred Foster and, like his previous album Border Lord, features more elaborate instrumentation than his first two LPs.Biographer Stephen Miller notes in his book Kristofferson: The Wild American, “A common criticism directed at Jesus Was a Capricorn was that it was overproduced and moved Kristofferson's songs too far away from the rough-hewn charm of his ...
Kris Kristofferson, who has died aged 88, was among the most prolific artists of his generation. In a career spanning six decades, he released 18 studio albums along with compilation records, live ...
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
Songs of Kristofferson is a best-of compilation album by Kris Kristofferson, released in 1977, after he had become more well known as a movie star than as a singer-songwriter. It includes tracks from his albums Kristofferson , The Silver Tongued Devil and I , Jesus Was a Capricorn , Who's to Bless and Who's to Blame and Surreal Thing .
Border Lord was released in February 1972 but failed to achieve the success its predecessors had. At the time of its release, Ben Gerson of Rolling Stone was unkind, charging that Kristofferson was “a fast-livin’, hard lovin’ dude who has just enough time between ballin’ and brawlin’ to jot down a tune or two.
Billboard said the album shows Kristofferson's "consummate skill at natural, sincere simple country songs" and that his "untrained bass voice" interprets the songs "even better" than artists who had previously covered his work. [38] Stereo Review delivered a favorable review, saying the album is "better" than Kristofferson's debut album.
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