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A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
The Sounds of India is an album by Ravi Shankar which introduces and explains Hindustani classical music to Western audiences. Released by Columbia Records in 1957, it was influenced by Ali Akbar Khan 's The Sounds of India , [ 1 ] and recorded and produced by George Avakian in 1957 at Columbia's New York studio.
These drums disseminated to the Indian subcontinent with the Mughal migration, and from India spread worldwide with the Indian diaspora. The tassa drum proper is a conical or bowl-shaped nagaara- (aka nagada or nagaada) type drum which is played with a heavy bass drum called dhol, or simply "bass", and brass cymbals or metal shakers called ...
These two membranes are dissimilar in diameter to allow for the production of both bass and treble sounds from the same drum. The bass aperture is known as the thoppi or eda bhaaga and the smaller aperture is known as the valanthalai or bala bhaaga. The smaller membrane, when struck, produces higher pitched sounds with a metallic timbre.
The dhol is a double-sided barrel drum played mostly as an accompanying instrument in regional music forms. In Qawwali music, the term dhol is used to describe a similar, but smaller drum with a smaller tabla, as a replacement for the left-hand tabla drum. The typical sizes of the drum vary slightly from region to region.
It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics.
Chatur Lal was born on 16 April 1925 in Udaipur, Rajasthan. [2] He toured with Ravi Shankar, Nikhil Banerjee, Baba Allauddin Khan, Sharan Rani and Ali Akbar Khan in the 1950s and early 1960s and helped popularize the tabla in Western countries and made the nuances of this Indian drum. [2]
In the 1880s, Manpoondia Pillai was a temple lantern-bearer who sought to study drumming. He modified the kanjira to a frame drum with a single pair of jingles and brought the instrument to a classical stage. [1] [2] [3] It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the mridangam.