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Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.
Wayang golek performance (3D wooden puppet), Indonesia. Wayang golek are three-dimensional wooden rod puppets that are operated from below by a wooden rod that runs through the body to the head, and by sticks connected to the hands. The construction of the puppets contributes to their versatility, expressiveness and aptitude for imitating human ...
Cepot is humorous and easy going, everything Cepot says tends to be funny, and Cepot's act has many slapstick jokes, mostly done together with its antagonist wayang golek character. Cepot in wayang golek puppetry also has other, good looking faces: Astrajingga, described with its straight, humble, good looking and white face. Cepot is the ...
Damarwulan is a Javanese legendary hero who appears in a cycle of stories used in the performance of wayang klitik, as well as Langendriyan (female dance-opera) and ketoprak (popular theater). These stories tell of the struggles between the Majapahit and Blambangan kingdoms, in which Damarwulan gains honor.
On November 7, 2003, UNESCO designated Wayang the flat leather shadow puppet (wayang kulit), the flat wooden puppet (wayang klitik), and the three-dimensional wooden puppet (wayang golek) theatre, as a Masterpiece of the Oral and Intangible Heritage of Humanity. In return for the acknowledgment, UNESCO required Indonesians to preserve the ...
Wayang Golek, a traditional Sundanese puppetry. Wayang golek is a traditional form of puppetry from Sunda. Unlike the better-known leather shadow puppets ( wayang kulit ) found in the rest of Java and Bali, wayang golek puppets are made from wood and are three-dimensional, rather than two.
'tree') [2] or kayonan in Bali, is a figure in the Indonesian theatrical performance of wayang e.g. wayang kulit, wayang klitik, wayang golek, and wayang beber. The gunungan is a conical or triangular structure (tapered peak) inspired by the shape of a mountain .
Similar characters appear in other Indonesian wayang and theatrical traditions, including those of Bali and Sunda, under different names. [ 6 ] [ 7 ] The panakawan characters are generally much-loved by audiences who attend wayang plays in Indonesia and their appearance in the plays is usually greeted with laughter and anticipation.
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