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The Chief Executive of AQA runs the organisation on a day-to-day basis, while being accountable to the AQA Council. The role was known as the Director General from its introduction in April 1998 until July 2010. [21] Kathleen Tattersall OBE, 1 April 1998 – 30 September 2003 [22] [23] Mike Cresswell CBE, 1 October 2003 – 31 March 2010 [24] [25]
Examination boards in the United Kingdom (sometimes called awarding bodies or awarding organisations) are the examination boards responsible for setting and awarding secondary education level qualifications, such as GCSEs, Standard Grades, A Levels, Highers and vocational qualifications, to students in the United Kingdom.
The CSE broadly covered GCSE grades C–G or 4–1 and the O-Level covered grades A*–C or 9–4, but the two were independent qualifications, with different grading systems. The separate qualifications were criticised for disadvantaging the bottom 42% of O-Level entrants, who failed to receive a qualification, and the highest-achieving CSE ...
Sharp, C. J. (1924) The dance; an historical survey of dancing in Europe. Rowman and Littlefield. ISBN 0-87471-105-3; Thomas, H. (2003) The Body, Dance and Cultural Theory. Palgrave Macmillan. ISBN 0-333-72432-1; Feliksdal, B (2003) Modern Tap Dance, ISBN 90-807699-2-4 Bekebooks; Feliksdal, B (2004) Jazz Dance Syllabus Jazz, Rhythm, Body and Soul.
7.1 United States. 7.2 Mexico. 7.3 Dominican ... Download as PDF; Printable version; ... A folk dance is a dance that reflects the life of the people of a certain ...
The most popular social dance of the time was the One-Step. The dance consisted of couples taking one step on each beat of the music, so even beginners could participate. [4] The introduction of the phonograph record marked a shift toward dancing to recorded music, as radio stations, jukeboxes, and sock hops played records to dance to. [5]
Dance theory is the philosophy underpinning contemporary dance, including formal ideologies, aesthetic concepts, and technical attributes. [1] It is a fairly new field of study, developing largely in the 20th century. It can be considered a branch of expression theory [2] and is closely related to music theory and specifically musicality. [3]
The etymology of Dandiya-Raas is in Sanskrit. [4] Dandiya-raas exists in the different forms, including the collegiate competitive form. [5] The dance style is now in a competitive format and a traditional format. [5] Men and women traditionally play dandiya-raas and the dance operates in pairs, meaning the group must contain an even number ...