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Cantabile [kanˈtaːbile] is a term in music meaning to perform in a singing style. The word is taken from the Italian language and literally means "singable" or "songlike". [ 1 ] In instrumental music, it is a particular style of playing designed to imitate the human voice .
Comes after other terms; e.g. adagio ma non tanto ("not quite at ease") ma non troppo: but not too much: Comes after other terms; e.g. allegro ma non troppo ("not too joyful") Meno: less: Comes before other terms, such as meno mosso ("less moved/agitated") Subito: suddenly, quickly: Comes before or after other terms; e.g. subito fortissimo ...
This movement exemplifies the expressive Adagio style of many slow movements in the classical period. The famous cantabile melody is played three times, always in A ♭ major, separated by two modulating episodes; the movement is thus a simple rondo rather than the sonata form more common for movements of this
cantabile or cantando In a singing style. In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.)
Adagio (Italian for 'slowly', from ad agio 'at ease') may refer to: Music. Adagio, a tempo marking, indicating that music is to be played slowly, or a composition ...
Although tempo is described or indicated in many different ways, including with a range of words (e.g., "Slowly", "Adagio", and so on), it is typically measured in beats per minute (bpm or BPM). For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying two ...
The composer and music theorist Johann Kirnberger (1776) formalized and refined this idea by instructing the performer to consider the following details in combination when determining the best performance tempo of a piece: the tempo giusto of the meter, the tempo term (Allegro, Adagio, etc., if there is one, at the start of the piece), the ...
In particular, Todd argues that Strauss' Adagio Cantabile is effectively a Mendelssohnian Lied ohne Worte (Song without words). [5] In the Scherzo and Finale, one can also find echoes of Mendelssohn, both in terms of structure, time signature and thematic material. The performance time is approximately 27 minutes.